Kanagawa-oki Nami-ura by Katsushika Hokusai
Textile artworks will transform Your room into a "MUSEUM"!
KYOTO JAPAN
In 794, Kyoto became the capital of Japan as Heian-kyo and maintained this status until the Meiji Restoration (1868–1871). During this long history, many shrines, temples, and traditional cultures were nurtured, and numerous historical buildings still remain today.
Kyoto is home to 17 UNESCO World Heritage Sites. Additionally, there are Maiko and Geiko, women who symbolize Kyoto's traditional culture. They mainly play a role in adding glamour to banquets.
In Kyoto, please enjoy "Washoku" (Japanese cuisine). There is also traditional "Kyoto cuisine" (Kyo-ryori). For a casual meal, "ramen" is also delicious!
Furthermore, Kyoto hosts festivals that represent Japan. In this way, Kyoto offers fascinating content in various fields.
Kyoto is highly regarded as a tourist city. In 2014, it ranked first in the world's most popular tourist cities according to the American travel magazine Travel + Leisure. Additionally, it was selected as the number one city in the world's most popular city rankings by Condé Nast Traveler in 2020. Kyoto is rich in historical buildings and cultural attractions, drawing many tourists from both Japan and abroad.
Please come and visit Kyoto!
NOTABLE ARTWORKS
We have woven Japan's iconic ukiyo-e and woodblock prints into exquisite Kyoto Nishijin textiles, cherished by fans worldwide. Just look—there are works by Katsushika Hokusai, Kitagawa Utamaro, Utagawa Hiroshige, Sharaku, and more!
Imagine transforming your living room, study, office, or shop into your very own private art gallery. Wouldn't you love to invite guests over to admire the masterpieces on display?
Kanagawa-oki Nami-ura
by Katsushika Hokusai
Thirty-six Views of Mount Fuji: Kanagawa-oki Nami-ura [The Great Wave off Kanagawa]
by Katsushika Hokusai (1831-1834?)
The original painting is only available for 400 million yen, but you can PURCHASE it for 0.5% of that amount. How about decorating your room, living room, office or store!
This Kyoto Nishijin textile is an artwork of Katsushika Hokusai. There are collectors of Katsushika Hokusai's original paintings all over the world. Known as "The Great Wave off Kanagawa" ,"Kanagawa-oki Nami-ura" sold for nearly 400 million yen at Christie's Auction in New York, England, in March 2023. Six bidders competed for the winning bid for 13 minutes. " Kanagawa-oki Nami-ura" is one of 46 paintings in Hokusai Katsushika's " Fugaku Sanjurokkei"(Thirty-six Views of Mount Fuji), a collection of Fuji prints published between 1831 and 1834. It is widely known around the world, along with "Gaifuu Kaisei（Red Fuji）" and "Sankahakuu（Thunderstorm Beneath the Summit）".
The boldly gigantic waves are swirling and about to attack the small boat at any moment. Hokusai's unique conception is to capture this thrilling moment from the point of view of the people in the boat, just above the surface of the sea. Fuji is depicted in a leisurely manner, despite the rough sea.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold leaf thread 999.9, pure platinum leaf thread 999)、1800-needle Jacquard weaving |
|---|---|
| Size: | H60.0cms W84.0cms D3.0cms、Framing |
| Weight: | approx. 4.4 kg |
| In stock: | 5 |
| Price: | 1,980,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Gaifuu Kaisei
by Katsushika Hokusai
Thirty-six Views of Mount Fuji: Gaifuu Kaisei [Red Fuji]
by Katsushika Hokusai (1831-1832?)
How about decorating your room, living room, office or store!
This is a work by Katsushika Hokusai, who, as you know, has original art collectors all over the world. He lived to be 90 years old and moved 93 times during that time. The reason for this is not known, but it is said to be because Hokusai was an eccentric, or because he found it troublesome to clean his room because it was dirty every time he created a new work of art.
This "Gaifuu Kaisei（Red Fuji）" is one of the 46 pictures in "Fugaku Sanjurokkei (Thirty-six Views of Mt. Fuji)," a collection of Fuji prints published by Hokusai Katsushika between 1831 and 1834. It is also known as "Aka-fuji". It is widely known around the world along with "Kanagawa -oki Nami-ura" and "Sankahakuu". Fuji from the front with snow on its peak, the sea of trees below, and autumnal sardine clouds in the sky. "Gaifuu" refers to the "soft south wind that blows in summer.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9, pure platinum foil thread 999)、1800-needle Jacquard weaving |
|---|---|
| Size: | H60.0cms W84.0cms D3.0cms、Framing |
| Weight: | approx. 4.4 kg |
| In stock: | 5 |
| Price: | 1,980,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Fujin and Raijin
by Tawaraya Sotatsu
Fujin and Raijin [Gods of Wind and Thunder]
by Tawaraya Sotatsu (1624-44?)
How about decorating your room, living room, office or store!
This Kyoto Nishijin textile is a folding screen by Tawaraya Sotatsu. Tawaraya Sotatsu was a Japanese painter of the "Edo" period (16th century) and is highly regarded as the originator of a new trend in Japanese art. His new style, which sublimated Japanese painting with unique techniques, was later respected by artists such as Ogata Korin and was passed down from generation to generation as the "Rimpa" school.
The "Gods of Wind and Thunder" were primitive deities that deified natural phenomena in ancient India, and were later incorporated into Buddhism, where they were believed to protect the Buddha's teachings, to do good or evil, to regulate wind and rain, and to bring good harvests. The wind god, who blows wind from his tare and gallops through the golden sky, and the thunder god, who thunders and shoots lightning by striking his heavenly drum, are dynamically depicted in the painting.
The black clouds give an excellent sense of mass, and the pure gold leaf further emphasizes the infinite depth of the painting. Tawaraya Sotatsu's use of white (Thunder God, left side) and green (Wind God, right side) to depict the paired deities in harmony and balance shows his extraordinary sense of color.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold leaf thread 999.9), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 51.0cms W 85.5cms D 3.0cms、Framing |
| Weight: | approx. 3.5 kg |
| In stock: | 5 |
| Price: | 1,850,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Kohaku Baizu
by Ogata Korin
Kohaku Baizu [Red and White Plum Blossoms]
by Ogata Korin (18th century)
Would you like to own a Japanese national treasure and a masterpiece of Japanese art?
How about decorating your room, living room, office or store!
This work is a masterpiece from the last years of Ogata Korin, a painter active in Kyoto from the 17th to the 18th century ("Edo"period). The original painting, a folding screen, is designated as a Japanese National Treasure and is one of the most celebrated masterpieces in Japanese art. It is said that Ogata Korin secretly studied under Tawaraya Sotatsu, whose work is introduced in "Fujin and Raijin (Gods of Wind and Thunder)," and established his own style of painting while being inspired by Tawaraya Sotatsu. The composition of this work is somewhat similar to that of "Fujin and Raijin (Gods of Wind and Thunder)," don't you think?
In the center of the work, there is a bold water stream with an impressive reflection of designed water patterns, and on the right and left are red and white plum blossoms, respectively. He had an excellent sense of composition and coloring, and was a talented artist with a wealth of figurative and imaginative talent. This work must have been very avant-garde and innovative for the people of the time. Another feature of Ogata Korin's works is that the date of production is unknown for many of them.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold leaf thread 999.9), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 43.5cms W 83.5cms D 2.5cms、Framing |
| Weight: | approx. 2.9 kg |
| In stock: | 3 |
| Price: | 1,850,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Kakitsubata-zu [Left panel]
by Ogata Korin
Kakitsubata-zu [Left panel of Swallow Flower]
by Ogata Korin (18th century)
Would you like to acquire a Japanese national treasure and a masterpiece of Japanese art?
How about decorating your room, living room, office or store!
This work is a masterpiece from the last years of Ogata Korin, a painter active in Kyoto from the 17th to the 18th century ("Edo" period). The original is a folding screen, and together with "Red and White Plum Blossoms," it is designated as a Japanese National Treasure and one of the most famous masterpieces in Japanese art. Together with the right screen, which is introduced next, it is a complete folding screen.
The work is a cluster of swallow-tail flowers painted vividly in shades of deep blue and greenish-blue. He has also calculated the contrast with the right screen, which forms a counterpart, while expressing the swallow-tail flowers in a rhythmical manner. The date of production of many of Ogata Korin's works is unknown.
| Material: | Kyoto Nishijin textile in Japan(silk thread 6A, pure gold leaf thread 999.9), 1800-needle Jacquard weaving |
|---|---|
| Size: | Size: H 40.0cms W 89.5cms D3.5cms、Framing |
| Weight: | approx. 2.2 kg |
| In stock: | 3 |
| Price: | 1,850,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Kakitsubata-zu [Right panel]
by Ogata Korin
Kakitsubata-zu [Right panel of Swallow Flower]
by Ogata Korin (18th century)
Would you like to acquire a Japanese national treasure and a masterpiece of Japanese art?
How about decorating your room, living room, office or store!
This work is a masterpiece from the last years of Ogata Korin, a painter active in Kyoto from the 17th to the 18th century ("Edo" period). The original is a folding screen, and together with "Red and White Plum Blossoms," it is designated as a Japanese National Treasure and one of the most celebrated masterpieces in Japanese art. Together with the left screen introduced previously, it is a complete folding screen.
The work is a cluster of swallow-tail flowers painted vividly in shades of deep blue and greenish-blue. He has rhythmically rendered the swallow-tail flowers while also calculating the contrast with the left screen, which forms a counterpart. The date of production of many of Ogata Korin's works is unknown.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold leaf thread 999.9), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 40.0cms W 89.5cms D 3.5cms、Framing |
| Weight: | approx. 2.2 kg |
| In stock: | 3 |
| Price: | 1,850,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Fifty-three Stations on the Tokaido：
Nihonbashi Asa-no Kei
by Utagawa Hiroshige
Fifty-three Stations on the Tokaido：
Nihonbashi Asa-no Kei [Morning Scene at Nihonbashi Bridge]
by Utagawa Hiroshige (1833-34)
Why don't you turn your room into "Utagawa Hiroshige Museum"?
How about decorating your room, living room, office or store!
This Kyoto Nishijin textile is the work of Utagawa Hiroshige, an "ukiyoe" artist in the 19th century（"Edo" period）. His masterpiece, "The Fifty-three Stations on the Tokaido," is a series of 55 works that includes 53 stops along the "Tokaido" Highway between "Edo（Tokyo city）"and "Keishi (Kyoto city)", as well as "Nihonbashi（in Tokyo city）", the starting point, and "Sanjo Ohashi" Bridge in "Keishi (in Kyoto city)", the terminus.
Nihonbashi is the starting point of the "Tokaido" Highway from Edo to Kyoto. This work depicts a procession of feudal lords leaving Edo early in the morning. Also visible are fish vendors carrying fish and dogs, conveying the bustling early-morning energy of Nihonbashi.
Incidentally, Osaka City also has a "Nihonbashi," which is pronounced "Nipponbashi", although the spelling is the same (Originally, "Japan" was pronounced "Nippon"). It is said that the name "Nihonbashi" came from the fact that two logs were placed over the river when Edo Castle was built.
Utagawa Hiroshige 's works are highly acclaimed for their bold compositions and beautiful blue color, especially indigo, known as "Hiroshige blue. This "Hiroshige blue" is said to have influenced French Impressionist painters and Art Nouveau artists.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9, pure platinum foil thread 999), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 42.5cms W 52.0cms D 5.0cms、Framing |
| Weight: | approx. 2.9kg |
| In stock: | 3 |
| Price: | 700,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Fifty-three Stations on the Tokaido：
Hakone Kosui-zu
by Utagawa Hiroshige
Fifty-three Stations on the Tokaido：
Hakone Kosui-zu [The Lake at Hakone]
by Utagawa Hiroshige (1833-34)
Why don't you turn your room into "Utagawa Hiroshige Museum"?
How about decorating your room, living room, office or store!
This work depicts the greatest difficulty on the Tokaido Highway, the crossing of the mountain pass at "Hakone", with a sense of tension.
The Hakone inn was located at the highest elevation, which can be seen in the depiction of the extremely steep mountains. The mosaic-like representation of the mountain surface is also impressive. "Fuji" can be seen in the distance, and Lake "Ashinoko" can be seen quietly spreading out on the left side of the painting. In the lower right corner of the painting, the figure of a procession of feudal lords (with hats on their heads) can be faintly seen as they move through the mountains in a line.
The perspective used by Utagawa Hiroshige is known to have influenced Van Gogh in particular.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9, pure platinum foil thread 999), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 41.5cms W 32.0cms D 5.0cms、Framing |
| Weight: | approx. 2.9 kg |
| In stock: | 3 |
| Price: | 700,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Fifty-three Stations on the Tokaido：
Hara Asano-Fuji
by Utagawa Hiroshige
Fifty-three Stations on the Tokaido：
Hara Asano-Fuji [Mt. Fuji at Dawn near Hara]
by Utagawa Hiroshige (1833-34)
Why don't you turn your room into "Utagawa Hiroshige Museum"?
How about decorating your room, living room, office or store!
Shortly after leaving the "Hara" Inn, the marsh-like "Ukishimagahara" (present-day Fuji City, Shizuoka Prefecture) opens up. This work depicts a refreshing view of Mt. Fuji on a magnificent winter morning from there, with its summit overhanging the screen. It is such a clear view that the travelers (two women and their male companion) repeatedly look back to admire it. In the center of the work are two "tancho" cranes that have descended into the rice paddies in search of food, which serve as accents to soften the stark Mt. Fuji.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9, pure platinum foil thread 999), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 41.5cms W 32.0cms D 5.0cms、Framing |
| Weight: | approx. 2.9 kg |
| In stock: | 3 |
| Price: | 700,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Fifty-three Stations on the Tokaido：
Kanbara Yoru-no-Yuki
by Utagawa Hiroshige
Fifty-three Stations on the Tokaido：
Kanbara Yoru-no-Yuki [Night Snow at Kanbara]
by Utagawa Hiroshige (1833-34)
Why don't you turn your room into "Utagawa Hiroshige Museum"?
How about decorating your room, living room, office or store!
This work depicts a scene of an inn with a quiet and serene atmosphere. The figure on the left carries a long walking stick and descends the snow-covered path with careful steps, while the one on the right rolls his back and the other walks unsteadily up the slope. There is no one else in sight. They probably pass each other silently, and move away from each other without seeing each other. The area is covered with a fluffy snowflake that falls deeply and noiselessly. Hiroshige used white and black for all but the figures, depicting the stillness of a snowy night. The placement of the figures, colored yellow and blue, effectively creates a contrast with the silence. The composition of the house facing the front in the center of the picture, with the slope of the mountain road crossing the picture from the right and the cliff on the left creating a sense of stability throughout the painting.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9, pure platinum foil thread 999), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 41.5cms W 32.0cms D 5.0cms、Framing |
| Weight: | approx. 2.9 kg |
| In stock: | 3 |
| Price: | 700,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Fifty-three Stations on the Tokaido：
Keishi Sanjyo Ohashi
by Utagawa Hiroshige
Fifty-three Stations on the Tokaido：
Keishi Sanjyo Ohashi [The Great Sanjo Bridge in Kyoto]
by Utagawa Hiroshige (1833-34)
Why don't you turn your room into "Utagawa Hiroshige Museum"?
How about decorating your room, living room, office or store!
"Keishi" in the title of this work means "Kyoto". When you reach the "Sanjo Ohashi" Bridge over the "Kamo" River in "Hiroshige Blue," your 500-kilometer journey along the "Tokaido" Highway has finally come to an end. The mountains in front are called "Higashiyama mountain range (Higashiyama 36 peaks)" and "Hieizan" is in the back. The pagoda on the right in the middle of the Higashiyama mountain range is the famous "Kiyomizu-dera" Temple. The artist vividly depicts the scenery of Kyoto, the final stop on his long journey.
Comparing this work with the first work, "Nihonbashi Asa-no Kei (Morning Scene at Nihonbashi Bridge)," the colors of the sky and the painting as a whole seem to be reversed. This is because Nihonbashi, the starting point of the Tokaido Highway, is in the morning, while Sanjo Ohashi, the terminus, is at dusk.
Now, Utagawa Hiroshige did not actually travel through these "Fifty-three Stations on the Tokaido" Highway. It is said that Hiroshige traveled and painted up to the halfway point, and painted the rest based on stories he heard from others and his imagination.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9, pure platinum foil thread 999), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 41.5cms W 32.0cms D 5.0cms、Framing |
| Weight: | approx. 2.9 kg |
| In stock: | 3 |
| Price: | 700,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Otani Oniji
by Sharaku
Otani Oniji
by Sharaku (1794)
Impact of Sharaku’s woodblock print!
How about decorating your room, living room, office or store!
"Otani Oniji" is a "Kabuki" actor. This work is a "nishikie (a type of woodblock print) "produced by Sharaku in 1794 ("Edo"period) and is one of his masterpieces. Using deformation, we have woven together with great precision the expression on Oniji's face, which is expressed in a hateful manner as if he is challenging the opponent in front of him. When Sharaku first published this work, it made a unique and powerful impression, but it was not well received. The reason for this seems to have been the unnatural depiction of Otani Oniji's hands and the uncomfortable imbalance between his face and body.
Now, Sharaku's real name is Toshusai Sharaku, and he was an "ukiyoe" artist of the mid-"Edo" period (date of birth and death unknown). He produced about 145 works between May 1794 and January 1795. However, he disappeared without a trace after that, and is considered a mysterious "ukiyoe" artist. In Japan, numerous books have been published examining the solution to the mystery of his mysterious identity, and movies, TV dramas, and musicals have been produced.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 71.0cms W 41.0cms D 3.5cms、Framing |
| Weight: | approx. 3.2 kg |
| In stock: | 3 |
| Price: | 1,600,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
A woman looking at her reflection in a mirror
by Kitagawa Utamaro
A woman looking at her reflection in a mirror
by Kitagawa Utamaro (1792～93)
A dignified work by Kitagawa Utamaro.
How about decorating your room, living room, office or store!
This woodblock print by "ukiyoe" artist Kitagawa Utamaro was produced in 1792-93 and is considered one of his greatest works. The work depicts a woman fixing her hair in front of a large mirror with a sexy expression on her face. Kitagawa Utamaro is known as a master of beauty painting and established his own style in his work. He depicted a variety of women, from commoners to prostitutes, with elegance, splendor, and delicacy.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 71.0cms W 41.0cms D 3.5cms、Framing |
| Weight: | approx. 3.5 kg |
| In stock: | 3 |
| Price: | 1,600,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
A Woman playing a Poppin
by Kitagawa Utamaro
A Woman playing a Poppin
by Kitagawa Utamaro (1792～93)
A dignified work by Kitagawa Utamaro.
How about decorating your room, living room, office or store!
This work depicts a town girl wearing an impressive red checkered "kimono". If you look closely at the kimono pattern, you can see scattered cherry blossoms. She is blowing a vidro, which is a glass toy that makes a sound when blown. The method of making vidro was introduced by the Dutch who came to Nagasaki Prefecture in the "Muromachi" period (1336-1573). The title of the work, "Poppin," refers to the sound made when the vidro is blown.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 71.0cms W 41.0cms D 3.5cms、Framing |
| Weight: | approx. 3.5 kg |
| In stock: | 3 |
| Price: | 1,600,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Statue of Ashura
Statue of Ashura
Would you like to acquire this majestic hanging scroll textile work?
The motif of this hanging scroll is the eighth-century (Nara Period) statue of "Ashura", a Japanese national treasure housed at "Kofukuji" Temple in Nara Prefecture.
The actual statue, with its three faces and six arms, was created by Empress "Koumyou" in 734 to mourn the first anniversary of the death of her mother, "Tachibana no Michiyo". Since then, the statue has survived many calamities, including wars and great fires.
We have woven this representative Japanese Buddhist image, which has been carefully protected and handed down over 1,300 years, realistically on a special loom that is four to nine times more delicate than ordinary Nishijin brocade, using pure gold leaf threads as well. Furthermore, this work is completed in collaboration with a weaver and a table cloth artist.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 173.0cms W 51.0cms、Hanging scroll |
| Weight: | approx. 1.1 kg |
| In stock: | 3 |
| Price: | 2,300,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Two Cranes
Two Cranes
Would you like to acquire a woven piece of hanging scroll depicting a crane, which is considered auspicious?
This hanging scroll is a "Kissho (auspicious)" design featuring a bright green old pine tree and a couple of cranes that are said to maintain longevity for a thousand years. The couple of cranes resting together is said to bring "prosperity," "health and longevity," and "family happiness". The rising sun, symbolizing all life, is said to herald the coming of peaceful days and to bring prosperity, good fortune, and a bountiful harvest.
We weave this festive picture on special looms that are four to nine times finer than ordinary Nishijin brocade, using pure gold and platinum foil threads. Furthermore, this work is completed in collaboration with a weaver and a table cloth artist.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9, pure platinum foil thread 999), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 189.5cms W 51.0cms、Hanging scroll |
| Weight: | approx. 1.0 kg |
| In stock: | 5 |
| Price: | 2,000,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Taka-sago
Taka-sago
Why not get a hanging scroll textile work with an auspicious design depicting a smiling elderly couple?
The smiling elderly couple depicted in this work are the spirit of the millennium pine tree. The spirit is said to symbolize "happy marriage" and "health and longevity.
"Taka-sago" is woven on a special loom that is four to nine times more delicate than ordinary Nishijin silk weaving, using the finest pure silk dyed with dye that does not fade easily. Furthermore, this work is completed in collaboration with a weaver and a table cloth artist.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 184.0cms W 44.0cms、Hanging scroll |
| Weight: | approx. 1.1 kg |
| In stock: | 3 |
| Price: | 2,000,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Kisshouten Statue
Kisshouten Statue
Would you like to acquire a woven hanging scroll work depicting a goddess of beauty?
In the early 11th century,"Joruri-dera" Temple was built in Kizugawa, Kyoto. This standing statue of "Kisshouten (the goddess of good fortune)" was enshrined at the temple in 1212.
This statue is said to be a goddess of beauty and to provide abundant fruitfulness and happiness. As you can see, she is characterized by her long-slit eyes, crescent eyebrows, red lips, glossy black hair, and the jewelry she wears. We use special looms that are four to nine times more delicate than ordinary Nishijin silk weaving, and we use dye dyes that do not fade easily.
Furthermore, this work is completed in collaboration with a weaver and a table cloth artist.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 175.0cms W 52.0cms、Hanging scroll |
| Weight: | approx. 1.1 kg |
| In stock: | 3 |
| Price: | 2,000,000 yen |
| note: | In case of out of stock, it will take up to 40 days for production. |
Heart Sutra
Heart Sutra
This is a majestic hanging scroll weaving that measures approximately 2 meters in length.
Why don't you get your hands on this work of art, which is woven with 13 solemn Buddhas and the Heart of Prajnaparamita?
This hanging scroll is woven with 13 Buddhas and Bodhisattvas and the characters of the 「Heart Sutra」. The「Heart Sutra」is said to have been written by "Kukai (Kobo-Daishi)" and describes the essence of Mahayana Buddhism.
It is currently in the collection of the Kyoto National Museum. This work is large for a hanging scroll, and is a beautifully woven textile with a very glittering finish.
Furthermore, this work is completed in collaboration with a weaver and a table cloth artist.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 195.0cms W 73.5cms、Hanging scroll |
| Weight: | approx. 2.0 kg |
| In stock: | 1 |
| Price: | 4,400,000 yen |
| note: | In case of out of stock, it will take up to 80 days for production. |
Namu-Amida-Butsu
Namu-Amida-Butsu
This is a majestic hanging scroll measuring approximately 2 meters.
Why not get your hands on this meticulously woven work of the Buddha's heart?
The six large characters in the center of this work are Buddhist prayer cards that express the wish, ‘ I believe in "Amida Nyorai" Buddha and leave it to him ’. The word "Namu- Amida-Butsu" is derived from Sanskrit, the ancient language of India, since Buddhism was introduced from India. In the center of the image, the words "Namu-Amida-Butsu" written in black ink by "Tatebe Kaiun", the most senior Buddhist priest on "Koyasan", are woven into the text. Surrounding it, we have woven a group of fine characters from the Amida Sutra with great precision. In addition, as if to protect the characters, a Bodhisattva and an "Amitabha Nyorai" are woven precisely on the left and right sides. This work, like 「Heart Sutra」, is large for a hanging scroll, and is a beautifully woven work of great luxury and precision.
Furthermore, this work is completed in collaboration with a weaver and a table cloth artist.
| Material: | Kyoto Nishijin textile in Japan (silk thread 6A, pure gold foil thread 999.9), 1800-needle Jacquard weaving |
|---|---|
| Size: | H 190.0cms W 59.5 cms、Hanging scroll |
| Weight: | approx. 1.6 kg |
| In stock: | 1 |
| Price: | 4,000,000 yen |
| note: | In case of out of stock, it will take up to 80 days for production. |
THE EXHIBITION HIGHLIGHTS
There are two videos from our exhibition of the artworks.
It’s quite brief,but please take a look at the atmosphere of the pieces and the venue.
NEWS & REPORTS
OSAKA,KANSAI,JAPAN EXPO 2025
Amazing!
Kyoto Nishijin textiles will cover one of the massive pavilions representing Japan!
KYOTO KAHO
From Kyoto, a city rich in history and once Japan's capital in the year 794, we bring to the world the exquisite craftsmanship of Kyoto Nishijin textiles, a proud traditional art. With roots dating back to the 5th and 6th centuries and a foundation established in the 15th century, Nishijin textiles have flourished for over 1,200 years as one of Kyoto's most distinguished industries. Once presented as offerings to the Emperor, these fine fabrics represent an enduring legacy. While "kimono" made from these textiles are known worldwide, the reality is that fewer Japanese wear kimono today, leading Nishijin textiles to face the challenges of declining demand.
In response, we have embarked on a new challenge to preserve this venerable tradition. Instead of focusing on "wearable beauty,"
We are pioneering the idea of "displayed beauty" with Nishijin textiles to create new value. Imagine adorning your living room, study, office, or spaces where you relax or welcome guests with these stunning textiles, transforming any room into a space of elegance and pride. You'll find yourself eager to share this unique atmosphere with friends, colleagues, or customers. Picture the extraordinary spaces that will inspire you to invite others and show off your new decor. With 1,200 years of history, Nishijin textiles offer a fresh way to express beauty in your surroundings.
Our collection includes meticulous reproductions of famous artworks by "Ukiyo-e" artists from Japan's Edo period（mostly from 18th to 19th century）, such as Katsushika Hokusai, known worldwide, Sharaku, Utagawa Hiroshige, famous for his "Fifty-three Stations of the Tokaido," and Kitagawa Utamaro, renowned for his elegant portraits of women.
We also recreate intricate works from Japan's Buddhist art tradition, as well as masterpieces by famous international painters like Van Gogh and Renoir — all brought to life through the artistry of Nishijin textiles.
These works are woven with precision 4 to 9 times finer than ordinary Nishijin textiles, using an innovative technique that has earned a patent, making these pieces exclusive to Kyoto Kaho.
We employ not only traditional silk threads but also pure gold, silver, and platinum leaf threads, boasting an extraordinary purity of 99.99%. Our skilled artisans meticulously craft these textiles over the course of approximately between 40 to 80 days, executing over 20 specialized processes. The result is these artworks that glistens with unchanging luster and captures stunning gradations of color.
KAWAI Hiroaki
Born in Kyoto in 1963.
contact@kyotokaho.jp
The artworks displayed are exhibited at the museum listed below.
7th Floor, Tsukaki Square,
661 Nijo-hanjiki-cho,
Karasuma-dori Bukkoji-agaru,
Shimogyo-ku, Kyoto City. JAPAN